The drum battle between Ginger Baker and Art Blakey on the occasion of the Olympic Games 1972 in Munich revealed a clear message: precision rules power. Transferred to the world of optics, this message means: resolution rules magnification.
Resolution may be defined as the ability of a reproducing system to separate individual signals, no matter what nature they are: e.g. optical or acoustical. The jazz drummer Art Blakey (like many jazz drummers) was able to accelerate his playing to the max: the audience was not able to separate individual beats on his drums, or, in other words, the resolution power of the human ear was not able to “resolve” single beats of his playing.
In widefield microscopy, resolution is understood as the ability of the microscope hardware, means optics, to separate individual events in a distance range down to roughly 220 microns. It is the objective which is the key element of any resolution calculation. Eyepieces and downstream digital cameras can only process the information flux which has entered the objective. The larger the opening angle of the objective, the more information is available for data processing.
The schoolbook tells us that the Numerical Aperture of an objective, indicated on the objective sleeve, is directly accessible for a calculation of the minimum distance which can be resolved. The following sequence of 20X lenses, starting from a Plan Achromat up to a Plan Apochromat, displays NAs from 0.40 up to 0.65, thus increasing resolving power.
Plan Achromat 20X
d min = 550nm/2 x 0.40 = 688nm
Plan Fluorite 20X
d min = 550nm/2 x 0.50 = 550nm
Plan Apochromat 20X
d min = 550nm/2x 0.65 = 423nm
Conclusion: Resolution, not magnification is the key issue.